A decelerated excerpt from “Seizure” vimeo.com/27181543
check out vaipan.com for more
This segment is a chronological survey of exclusively oil on canvas works from 1860 to 1960.
I found and used about 2500 high-res pictures, just under 100 different artists, a whole slew of movements ending just before Pop art.The pixel size for the entire piece is about 400,000 wide by 1080 high. If I were to print it out with its height at only a foot and a half, it’s length would be over 550 feet.
Music:
Pretend “Those Luminous Noises are God” from “Bones in the Soil, Rust in the Oil”
Public Enemy “Burn Hollywood Burn” from “Fear of a Black Planet”
Philip Glass “Floe” from “Glassworks”Covering: Impressionism, Post-Impressionism, Fauvism, Expressionism, Futurism, Cubism, Orphism, Synchromism, Dadaism, New Objectivity, Surrealism, Bauhaus, Suprematism, De Stijl, Abstract Expressionism, Color Fields, Op art, Minimalism, &c.
With work by: Claude Monet, Paul Cezanne, Odilon Redon, Camille Pissarro, Vincent Van Gogh, James Ensor, Edvard Munch, Paul Gaugin, Felix Vallotton, Georges Seurat, Paul Serusier, Pierre Bonnard, Henri de Toulouse-Lautrec, Gustav Klimt, Henri Matisse, Maurice de Vlaminck, Pablo Picasso, Andre Derain, Max Beckmann, Francis Picabia, Ernst Ludwig Kirchner, Vassily Kandinsky, Georges Braque, Robert & Sonia Delaunay, Umberto Boccioni, Carlo Carra, Giacomo Balla, Egon Schiele, Marcel Duchamp, Piet Mondrian, Emil Nolde, Franz Marc, Marc Chagall, Juan Gris, Kasimir Malevich, Aaron Douglas, Jacques Villon, Giorgio de Chirico, Natalia Goncharova, Fernand Leger, Otto Dix, Morgan Russell, Marsden Hartley, Stanton MacDonald-Wright, Lyubov Popova, George Grosz, Oskar Kokoschka, Joan Miro, El Lissitzky, Josef Albers, Paul Klee, Wyndham Lewis, Archibald Motley, Olga Rozanova, Jean Arp, Emily Carr, Salvador Dali, Laslo Moholy-Nagy, Theo van Doesburg, Georgia O’Keeffe, Max Ernst, Stuart Davis, Arthur G. Dove, Andre Masson, Rene Magritte, Mark Rothko, Alberto Savinio, Clyfford Still, Jackson Pollock, Lee Krasner, Willem de Kooning, Hans Hofmann, Robert Motherwell, Barnett Newman, Victor Vasarely, Ellsworth Kelly, Franz Kline, Francis Bacon, Frank Auerbach, Jasper Johns, Alexander Rodchenko, Kenneth Noland, Frank Stella & others
Submissions to the 2012 Vimeo Festival + Awards are now open.
Celebrating the best in online video, the 2012 Vimeo Festival + Awards are jam-packed with new judges, new categories, and new monies — $5,000 grants for category winners and one $25,000 grand prize.
The Vimeo Festival + Awards are a chance for your work to be seen by the best in the business. Each category will be overseen by three judges, including winners from the 2010 Festival + Awards and distinguished individuals from the worlds of film, television, music, art, sports, and more.
A beautiful six minute rockumentary filmed in London by videomaker Giorgio Testi that follows the final moments as The Kills prepare to go on stage for their headline show at Brixton Academy in London.
Giorgio Testi is represented by Pulse Films.
www.thekills.tv
www.dominorecordco.fr
www.Facebook.com/DominoRecordsFrance
Cine Pocket, Belgium’s Mobile Film Festival is for films shot entirely with mobile phones.
Our annual call to entries is now open until January 30, 2012.
Film director or amateur filmmaker, artist, student, addicted to new technologies or simply full of creativity ? Take your mobile phone out of your pocket and start shooting!
Directed by Ben Poster
A hauntingly beautiful, intensely immersive record that merges elements of dub, psych, minimal house, disco and krautrock with a distinct pop sensibility, Peaking Lights’ “936” is a fiercely unique, exciting work and a great window into a wonderfully close, creative and prolific songwriting partnership.
This film contains an interview with the husband-wife duo (plus newborn baby Mikko) at their Madison, Wisconsin house as well as footage of their first ever 936 show at the Chicago Museum of Modern Art.
http://936.fm/
http://www.weirdworldrecordco.com/
Is finding motivation ever easy?
a simple search explodes … dry yellow fields … torn in two: paycheck … ten-hut for a girl … David Wallace’s “Infinite Jest” … potential … gas station caper … “Wait a minute, Josh,” … “in the room the women come and go” … inspiration’l inducements but where’s … building castles in the air … failure in 3/4 but not … noisy noise noise rock free jazz overlapping classical noise (Cage, Antheil, Varese) … “You’re your own eclipser” … Langston Hughes … glitch lunar eclipse … crayon doodles; a little american boy’s successful dream … oedipal complex … “The Rite’s” opening notes suddenly … 100 years in modern art 1860-1960, exclusively oil on canvas … impressionism, fauvism, futurism, cubism, orphism, abstract expressionism, surrealism, op art, and cetera … success’ relativity/subjectivity, accomplishment, others’ recognition … applause for … karaoke … “Unfortunately […] for many U.S. citizens” … meant for the net
visit vaipan.com for more
short essay on methods and concepts “Re or Progress” coming soon (setting the volume to uncomfortably loud is my preferred way of watching this (and just about anything (just like in theaters (but this is probably because years of playing drums demolished my eardrums)) and how I edited it)[…]
(by David Vaipan)
Director / Writer / Art Direction: DIEGO BARRERA
Cinematography and editing: Wenceslao Scyzoryk
Featuring: Marina Azañón, Fabian Ariel
Mater Suspiria Vision’s “Seduction of the Armageddon Witches.” Available in early June via Мишка Records as a limited 300 edition blue vinyl 7-inch.
“This is the first video of Mater Suspiria Vision that is not made by Cosmotropia de Xam.The theme that unites the whole story is the duality of human beings, femininity and masculinity inherent, wanted to talk about how to get a foothold in this present time, restoring the importance of femininity in men, and the importance to women In a society governed by the Catholic Church, the largest patriarchy.
The apple brings to mind “the apple of Adam and Eve”, but is not, this symbol for me has a special meaning, the meaning I give is the purity, therefore, the woman or the female side is that emerges victorious at the end of the video, because she can “mix” with this purity, while the man in his violence is not able to hold hands and destroys it. Also this purity is related with the mankind approaching to their animal side”.
DIEGO BARRERA
